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OYAKO (Parents and Children)
Group Photography Exhibition
July 8- August 9, 2019

Oyako Day is on the 4th Sunday of July and in celebration of that special bond, this month's exhibition is a group show featuring images of parents and children in Japan and overseas. Photographs from China, Bangladesh, Myanmar, Vietnam, Cambodia, and Mongolia, to Syria, Palestine, Ethiopia, Uruguay, United States, and under the sea are included in this show. The pictures were selected from a mix of 25 well-known and up-and-coming photographers who have focused their cameras on parents and children.

Recently, fights between oyako have been featured in the news, which highlights the difficulties that we are facing not only as a family, but also in the society as a whole. The parents are the first bond for the newborn baby and it is the base on which all future relationships are built. The weakness or strength this foundation can lead to becoming part of the problem or part of the solution when dealing with social issues such as domestic violence, addiction, and mental health. We are all here because we are part of a long unbroken chain of life. If we appreciate the life we were given, then shouldn't we be more concerned about the world we leave for future generations?

The Exhibition Committee would like to express our gratitude to all the photographers who are participating in this exhibition along with our appreciation to The Photographic Society of Japan for introducing cameramen from other countries.

Jigmed Bayarmagnai, Everett Kennedy Brown, Mikel Flamm, Haruking, Yoshiro HIigai, Taishi Hirokawa, Tomoki Hirokawa, Yoshi Itokawa, Anisur Khondoker, Tadashi Kumagai, Shisei Kuwabara, Zaw Min, Bahan Nguyen, Junya Nishikawa, Ikuo Nakamura, Kazuyoshi Nomachi, Bruce Osborn, Eiichiro Sakata, Kyo Shimizu, Mayumi Takahashi, Mira Takahashi, Herbie Yamaguchi, Natsuki Yasuda, Taisuke Yokoyama, Megumi Yoshitake

Sakata Eiichiro NYC 300p

photo by Eiichiro Sakata

The Exhibition Committee


Nike Air Max 90

June2019 exhibition 36510139 300p

Class Rooms

KnK Exhibition: photos by Kyo Shimizu

June 8 - July 5, 2019

Opening reception: June 10

Improving the lives of children in the world.

What is necessary to study? Is it stationary? Is it a classroom? It is so hard for working children to go to school. If they could spare just a little time for studying, even it wasn't at a school, it would be their "Class Room". The learning is not limited to academics. Other activities including music, sports, art, and even just having fun are important. If more children in the world could spend time in a learning environment, it will help them to prepare for the future. In the nearly 20 years that I have been involved with the NGO, KnK Japan, I have visited several overseas sites and met numerous children. Sometimes it's depressing to see children in the difficult situations, but it can also be moving seeing them trying their best with clear eyes. I wish to share what's happening, which is why I took up photography. I will not say that I have changed the children's world through my photos, but I hope to make their lives better as a humanitarian photographer.

Kyo Shimizu

Born in Tokyo in 1970. Worked at Nature Cine Pro as the last generation operating Super 16mm for science and nature TV programs, such as "NHK Special". In 1998, moved UK doing volunteer work as a career, and then joined MSF (Doctors without Borders) in 1999 filming its activities in Asia and Africa. Since 2003 Kyo has been specially working to support children as a member of KnK Japan (Children without Borders).

Awards: PX3 "State of the World" Curator Selected (2019), Ken Domon Cultural Awards, 2nd place (2018) Nikkei National Geographic Photo Award, Excellent prize (2015), IPA Professional, Honorable Mention (2015, 2016, 2017, 2018) - Places spending time as a child -

The Exhibition Committee





Portraits of African Musicians 2019

photo exhibition by Tsunehiro Takakuwa
May 7 - June 7, 2019

It has been more than a quarter century since I first set foot on the good earth of Africa in 1991.

Since then, as if possessed, I have traveled incessantly to Africa, encountered tremendous African musicians and taken numerous portraits of them with a large 4x5-inch format camera. It is my belief that a portrait taken using a large format camera can capture the whole of its subject's life and strongly express it including his/her soul.

For people in Africa, song, dance and rhythm are an indispensable part of their daily lives. In one sense, these photos are unsolicited love letters from me to them.
As I encountered the lively, engaging faces and figures of these people, which seemed to be prototypically human and represent something that the Japanese were losing, I was smitten with Africa. Smitten, indeed.

Here you will see what I have carefully selected from more than 500 cuts of photographs I took in a large swath of Africa as well as France and Japan from 1991 to 2018.
The musicians hailed from a diverse range of regions across Africa, including Algeria in the north, South Africa in the south, Tanzania in the east, Reunion in the Indian Ocean and Senegal in the west.

This exhibition will be an opportunity for you to be intensely looked at by these lively faces, which seem to be prototypically human.
It would please me greatly if you were able to feel the soul of it all.

The Exhibition Committee



Board shorts
Sept. 05 - Oct. 02, Main Bar

20151004 Yusuke Hanai 500 

Since I was a very young boy, I have always loved to draw, but becoming an artist or an illustrator never even crossed my mind. My friends and I used to draw caricatures of interesting people that we encountered in our daily lives, and shared these images amongst ourselves for a laugh. I discovered surfing when I was in high school, when the older neighborhood surfers took me to the beach. The surfers that I encountered were all quite unique, extremely funny and sometimes utterly ridiculous. These strange characters fascinated me. They became the subject of many of my drawings.This show is the interesting, and often ridiculous aspects of surfing. I have learned so much from surfing and surfers and so there exists a plethora of interesting themes to work from. I love their individuality, how they live life with a passion, how they care about the environment, how they carry a sense of adventure, how they care deeply about their friends, how they care about their local environment, and how they try not to get caught up dragged into the system. This exhibition features illustrations I made for Surfer’s Journal along with other recent pieces.Yusuke Hanai has been exhibited in Australia, Brazil, California, London, New York, Paris, and Tokyo. His artwork is featured in BEAMS, VANS, NIXON, GRAVIS...etc.
The Exhibitions Committee



FCCJ april 

March 30 - May 6, 2019

The Foreign Correspondents' Club of Japan is very pleased and honored to present this special photography exhibition of the Imperial Family in the same month as Emperor Akihito prepares to retire from official duties on April 30. His elder son Crown Prince Naruhito will become Emperor the following day on May 1, ushering in a new period and bringing the Heisei era to a close.

A law was passed last year to allow Emperor Akihito to retire, the first such abdication in 200 years. The 85-year-old Emperor implied in an address to the nation in August 2016 that he was concerned his age will hinder him from performing his duties as "the symbol of the State and of the unity of the people" as stated in Japan's post-war Constitution.

The Heisei era began on Jan 8, 1989, the day after the death of Emperor Akihito's father, Hirohito. It will conclude on April 30, 2019. To commemorate the Heisei era, this exhibition focuses on the Imperial couple and their influence on the Japanese people. The photos includes the Imperial couple playing tennis when they were engaged, their marriage and wedding parade, a visit to the Peace Memorial in Nagasaki, consoling people in Tohoku after the 2011 earthquake, and images from the Emperor’s birthday on December 23, 2018.

The FCCJ has only been able to host this exhibition because of the support of the Associated Press and Nikkei, which provided images from their archives. The FCCJ offers its sincere appreciation for that support. The FCCJ also offers thanks to Fumio Takahashi (FCCJ) for his assistance in contacting Nikkei. Of course, none of these images would exist without the skill and expertise of the photographers who took them. In that we offer a special appreciation to Kaku Kurita (FCCJ), Mitsunori Chigita, Eugene Hoshiko, Hiromasa Matsuura, Ken Suzuki, and Masayuki Terazawa.

Peter Langan
FCCJ President



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