Exhibition

May 2021 Exhibition: 888zenya
Masanori Kamide Photo Exhibition
May 8 - June 4, 2021

On Christmas Eve 2020, the number of people newly infected with the coronavirus reached 888 for a single day. Going out to the downtown area, chatting at bars and on dance floors was no longer something that could be enjoyed freely.

The title 888 Zenya [The Night Before 888] has the meaning of a record of the bustling nature and energy of the streets that everyone loved before their lives were plunged into this new lifestyle.
A musician that had been a professional DJ at popular discos since the 80s and stood at the center of Tokyo's entertainment found himself in distress over the sight of Tokyo's night lights (albeit temporarily) disappearing at the time of the 2011 Great East Japan Earthquake.

He has changed from someone who created entertainment to someone who records events. This is the sight of a man who has now watched over Tokyo with love for 10 years; a man that has loved the towns and people of Tokyo for around 40 years. He has been able to grasp the miraculous and rare scenery of the city precisely because he has spent his time touring the streets of the night on his bicycle.

April 2021 Exhibition: Soliloquy of the Full Moon
Artwork by Kozo Chiba
April 3 - May 7, 2021

At this time, when people find it difficult to throw off the feelings of unease brought about by the COVID-19 pandemic, I am very grateful to the Foreign Correspondent’s Club of Japan for having been offered this opportunity to hold an exhibition.

As a result of the pandemic, I have held a virtual exhibition on the Internet in order to allow people to see my work, but although this experiment could be considered a success with regard to health safety, I cannot help but feel that it focused on data dissemination than art.

However,  as an artist I am excited at the thought of holding this exhibition in a real space,  allowing people to take the time to experience the warmth of my work in person as they travel through the world created in my pictures and enjoy the absurd worldview presented there.

In closing, I would like to take this opportunity to offer my heartfelt gratitude to Bruce Osborn and his wife, Yoshiko, for making this exhibition possible, to Koike Keiko of KEPT, my father and mother for their unflagging support, and all my friends for their help.

Kozo Chiba

January 2021 Exhibition: The Year of the Cow
Group exhibition
Jan. 9 - Feb. 5, 2021

Welcome to the Year of the Cow, the 2nd in the 12 year cycle of animals. As the rat scurries away, the cow is faced with many unresolved challenges from the previous year. The 2021 is the year of the White Metal Cow which is considered to be gentle and responsible, but also stubborn. We hope our knight in shining armor, I mean cow, will help save the day and lead us to greener pastures. Starting off this year's exhibitions on a bright note, we hope you'll enjoy seeing our cow show.

Wishing everyone a safe and Happy New Year!

Bruce Osborn / FCCJ Exhibition Chair

TOTAL RECALL
REMEMBERING JAPANʼS TEMPLE OF SPEED
Photography by Joe Honda
Exhibition from Dec.5th to Jan.8th

Total Recall brings to life memories from motorsport's golden age through a series of historic and rare photographs from Joe Honda's rediscovered archive.

In partnership with award-winning photo laboratory Shashin Kosha, the exhibition shines a light on Japan's first international race at the Fuji Speedway in 1966 and the nation's emergence on the global motorsport scene. To the Japanese cognoscenti, the American Indianapolis 500 was a celebrated race, and hosting the first international indy event in Japan would signal their country's arrival as an industrial power.

When 26-year-old Honda went to document that race, he never expected it would change the course of his life. But a chance encounter with British driver Jackie Stewart at the Fuji Speedway that day triggered his resolve to venture abroad to document the people, culture and technology at the heart of the global motorsport scene.

Profile

Photo Correspondent Stanley Troutman; From Hollywood to the Pacific War
Postponed to October Year 2020 (originally planned For April)
COVID 19: No opening reception

Los Angeles native Stanley Troutman entered his profession when a neighborhood friend, Coy Watson Jr., a former childhood movie star helped him secure a job at the LA bureau of Acme Newspictures in 1937. Starting out as a "hypo bender" or darkroom assistant, the 20 year old Troutman worked his way up to a staff photographer position and within a year was covering the golden era of Hollywood. When Pearl Harbor was attacked on December 7, 1941, Troutman was 24 years old. While most men his age were entering into the military, Troutman was exempt from service due to being a journalist, something the Department of War deemed vital to the Homefront. Even so, he believed in joining the war effort and in 1944 volunteered to be a war correspondent.